This original study argues that masculinist racist hegemony used myths about black male sexual rapacity and the danger of racial 'pollution' in order to police white female sexuality and exorcise collective guilt over the sexual slavery of women of color. Without having been conquered, and racism othello thesis statements and narrative. Othellos blackness affects his behaviour toward his wife as well as his. While othello thesis statements adapted from a wide range of iago. Daileader terms this phenomenon 'Othellophilia' - the fixation on Shakespeare's tragedy of inter-racial marriage to the exclusion of other definitions and more optimistic visions of inter-racial tension. This paper argues that both patriarchy and racism shape the dynamics of Othello. This study considers the cultural obsession with stories patterned on Shakespeare's Othello alongside the more historically pertinent, if troubling, question of white male sexual predation upon black females. Through readings of texts spanning four centuries, and bridging the Atlantic - from genres as diverse as English Renaissance drama, abolitionist literature, gothic horror and contemporary romance - Daileader questions why Anglo-American culture's most widely-read and canonical narratives of inter-racial sex feature a black male and a white female and not a black female and a white male. Shylock, the application of deconstruction of marriage to Othello and The Prince of Morocco, and racism in Othello and The Merchant of Venice are among the major items on which this article elaborates following by a conclusion describing the role of human conscience in racial and religious discrimination.Description Product filter button Description Society rejects the marriage of Othello and Desdemona, sees it as an act against all rules of nature(act 1. That is why there is a clear theme of racism throughout the play. At the time this play was written, black people were only known as slaves. The notion of ‘otherness’ and its application in the characterizations of Othello and Shylock, Othello vs. In the play, Othello Shakespeare shows the audience a transformation of a barbarous black man into a respected soldier and nobleman. At first, Othello does not think that his race could determine the status of his relationship. Both sections critique the cruel issues these people experienced as other. The issue of racism has its most impactful effect in the play in causing Othello to doubt his character and his relationship with Desdemona, which leads to his demise (Speaks). For this purpose, it deconstructs the marriage by focusing on Othello in Othello, and The Prince of Morocco in The Merchant of Venice and, depicts racism and discrimination by comparing the characterizations of Othello in Othello and Shylock in The Merchant of Venice. Under Iago’s influence, Othello plummets. But Othello’s extreme susceptibility to Iago’s villainous suggestions reveals at best a profound insecurity about himself, and at worst an internalized racism that Iago seizes upon. Only a very intelligent and highly imaginative writer. Certainly Othello is not alone in being deceived by Iago, who is described by many characters as honest Iago. Iago presents the women in the play as having an appetite for a myriad of things, such as men, sex, and. In Othello, as in life, various factors collide within men, and racism is merely one manifestation of the wider, darker path these may take. Throughout Shakespeare’s didactic play The Tragedy of Othello: The Moor of Venice, the playwright utilizes the antagonist, Iago as a mouthpiece of misogyny and as the central character of the degradation of the women in the play. The attempt in this paper is to explore the construction of racism and the evidences of discrimination as depicted in Othello and the Merchant of Venice by use of the deconstruction of marriage. In exploring Othello’s tragedy and Iago’s evil, Shakespeare goes further to explore how racism itself is never a single, blind trait. This study aims to present a comparative examination of the traces of racism and discrimination in two plays of Shakespeare, Othello and The Merchant of Venice, written in 1603 and around 1598, respectively in the Elizabethan Period. Deconstruction, Racism, Shakespeare, Marriage, Otherness Abstract Othello is a victim of societys racist ideologies, as it seems that Iago told him what he already suspected to be true.
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